摘要
文章从意象的历史发展入手,提出元代诗评家对主体意象的认识,进而指出,元好问诗歌中,有大量的主体意象的存在。这是元好问强烈的主体精神所致,或出于对祖国壮丽山河的热爱,达到主体与自然合一的状态,在表现自然山水的时候,就会有主体意象出现;或因为游移在儒、释、道之间,其儒者怀抱不能实现的痛苦心情所致,在表现这种人文精神的时候,就表现为主体意象。元好问山水诗的主体意象居多,是以一种含蓄蕴藉的方式表现出来。
The article,which starts with historical development of imagery,advanced the knowledge of poem critics of Yuan Dynasty about the principal part of imagery,then it pointed out,among YUAN Hao-wen’s poems,there were a great deal of principal part of imagery,and this was the result of YUAN Hao-wen’s strong principal part of spirit,or it was also the result of loving own country.Principal part of imagery appeared when he expressed natural landscape,or his wish could not be realized because he wavered among the Confucianist,the Buddhism and the Taoists.When this kind of humanism was expressed,the principal part of imagery would appear.In YUAN Hao-wen’s poems,there were more principle part of imagery,which was expressed by means of implicit way.
出处
《忻州师范学院学报》
2003年第1期15-19,39,共6页
Journal of Xinzhou Teachers University
