摘要
英美意象派诗论对诗歌创作中主体情感形式化的问题有许多独到的见解。本文以庞德(Ezra Pound,1885—1975)等意象派诗人的理论为基础,对情感的物象化作了深入的剖析。指出:意象的基本结构是主与客、情与景的内在统一,且两者的结合形式侧重于客观性,类似中国古代诗论中的'兴象'。而对事物瞬间、直接、完整的审美直觉则是其生成机制,并由此产生了诗歌意象多义、简约和具有永不重复的独创性的审美特征。
British and American imagists in poetry have offered quite a few of original opinions on the expression of the subjective emotions in creating poems.Based on the theory of imagism put forward by such imagist poets as Ezra Pound (1885—1975),this article makes a thorough analysis of the imagery expression of emotions,pointing out that the basic construction of image is the inherent unity of subject and object,emotion and situation,but the objectivity occupies an important place in this unity,which is similar to Xing (Poetic mood is exalted by the ‘thing') in ancient Chinese poetry criticism.The momentaneous,direct and perfect aesthetic intuition of the object is the generative mechanism of poetry image,which therefore produces such original aesthetic characteristics as polysemy,conciseness and nonrepetitiveness of poetry image.
出处
《宁波大学学报（人文科学版）》
1990年第1期53-62,共10页
Journal of Ningbo University：Liberal Arts Edition
