摘要
从20世纪开始,作曲家们不断在探索其它的创作途径,其中一些创作上的极端表现如荆棘丛生,使听众疏远了。一些年轻人,一味地求新求异而漠视我国老一代音乐家的创作经验。事实上,他们有许多善于拿捏好传统与创新、专业与普及关系的修养和技术,都还未能引起学子们的注意。作者从几个方面论述了《春之采》的成功之处主要在于:他一方面继承了西方古典曲式严禁规整的理性结构思维,另一方面,其音乐表述的语言方式和所追求的美学意境,韵味又完全是中国的。
Since the beginning of the 20th Century, composers have been constantly trying and finding out new composing methods, but some extreme means of musical expression have estranged the audiences. Some young composers pursed and tried new composing methods by totally ignoring the mature composing experiences of the old generation. In fact, they didn't pay enough attention to the old successful composing techniques such as the combination of tradition and innovation and the negotiation of professional music and massive music. The author discoursed upon the success of Plucking of the Spring as the follow: on one hand, the music inherited the rational thoughts structure of the western classical music forms, and on the other hand, it was totally Chinese style in its music language and the way of aesthetic conception it created.
出处
《人民音乐（评论）》
北大核心
2003年第4期2-4,63,共4页
Peoples Music
