摘要
诗无达沽。一首好诗的诗美的表现形态是多元开放的,然而关键在于其意境的有无和深浅。以往对《再别康桥》的欣赏和解读似乎局限在偏重形式的音乐美方面或过于落实的偏颇,而与其意境多少有着隔膜。通过对"轻轻的","悄悄的"等充满灵性的诗意语言及独特的意象营构的再读,神与物游,追寻"走"与"来"梦境缠绕的销魂踪迹,读者会走进如醉似梦、虚实互化的意境。
There is no poem that can be fully interpreted. As a result, the beauty and image of a poem is open to our imagination and interpretation indefinitely. This also applies in Saying Goodbye to Cambridge Again and the appreciation should by no means be confined to the musical effects and form. This passage is about to reapproach the poem's image and symbol in an attempt to discover a new world of image.
出处
《北方论丛》
2003年第3期96-98,共3页
The Northern Forum
