摘要
关于勉瑶需还盘王愿的"渡海"叙事,被认为不早于明代,并逐渐取代"犬祖神话"以重建礼仪性共同体。基于粤北乳源瑶歌及历史考察,可以推断"渡海"叙事亦与明清里甲赋役制度下瑶人户籍和田地的保全有关。至今,渡海叙事仍在拜王歌堂和日常瑶歌中存续,既源于"许愿-还愿"的信仰行为模式,也符合现实需求。粤北瑶族徙居汉区平地后,瑶歌以"渡海"为中心的迁徙叙事趋于系统化和本土化,并融入新的时代印记,显现出瑶人对本族文化的重塑与认同。
The story of sailing across a sea, telling Yao should consecrate sacrifices to Pien Hong,was considered not earlier than the Ming Dynasty,and gradually replaced the 'Dog ancestor myth' to rebuild the ceremonial community. Based on the Yao song and the historical investigation in Ruyuan,North Guangdong,we can conclude that the narrative of the story referred to preserving census register and fields in Li-Jia and tax system during the Ming and Qing Dynasties. Up to now, the narrative has been in song for worshiping Pien Hong and daily entertainment. It is not only the result of the ways of believing and acting in' vow-pay', but also accords with the practical requirement. After Yao moving to the plain where the Han live, the narrative of the migration tend to be more systematic and localization, and has integrated new era element, which show the reshaping of the Yao people on their culture and identity.
出处
《广西民族研究》
CSSCI
北大核心
2016年第6期102-109,共8页
GUANGXI ETHNIC STUDIES
基金
广东省哲学社会科学"十二五"规划2014年度青年项目"比较文学视域下的广东当代瑶歌变迁研究--以广东乳源瑶族自治县为例"(GD14YZW04)
关键词
勉瑶
迁徙
渡海
瑶歌
Yao(Mien)
migration
sailing across a sea
Yao song
