摘要
马克思在《1844年经济学哲学手稿》中将生成论的思维方式引入感性问题的探讨,从而建构了一种作为感性生成论的美学。感性的生成是感性的实践生成、社会生成与历史生成的统一。感性生成与美及艺术有着密切的联系。美在感性活动中生成,感性的生成是感性向美生成。美在感性活动中生成及感性向美生成的过程,是'美的规则'运用/生成的过程。艺术是美在感性活动中生成的特殊方式与感性向美生成过程中的历史环节。就'跨学科''超学科'的学科结构而言,作为感性生成论的美学与韦尔施的'超越美学的美学'有着相似性。但是,无论是学科领域的广度,还是其存在论基础的深度,以及'多元性'伦理内涵的真实性与丰富性,作为感性生成论的美学都超越了韦尔施的理论构想,表现出巨大的优越性,展现了《1844年经济学哲学手稿》美学思想的当代意义。
In The Economic and Philosophic Manuscripts of 1844,Marx introduced the thinking mode of theory of generation into the discussion of sensibility,constructing an aesthetics of sensibility generation theory.Generation of sensibility is the unification of practice generation,social generation and historical generation.It is closely related to beauty and arts.Beauty is generated in sensory activity.Sensibility generates beauty in the process.Furthermore,this process is also the application or generation of'law of beauty'Art is a special way of beauty being generated in sensory activity and a historical stage in the generation process from sensibility to beauty.Aesthetics as a theory of sensibility generation has similarities with Welsh’s idea of'aesthetics beyond aesthetics'.But it surpasses Welsh’s idea in the scope,depth,authenticity and richness.The theory of sensibility generation shows the aesthetic significance of Economic and Philosophic Manuscripts of 1844 for contemporary society.
作者
张震
Zhang Zhen(Yunnan University)
出处
《马克思主义美学研究》
2019年第1期140-157,553-554,共19页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)阶段性研究成果
关键词
马克思
《1844年经济学哲学手稿》
感性生成论
美学
Marx
Economic and Philosophic Manuscripts of 1844
theory of sensibility generation
aesthetics
