摘要
著名时装设计师亚历山大·麦昆的作品对时尚界产生了巨大的影响。他的时装秀理念经常受到电影的启发,同时也从文学、戏剧、舞蹈和音乐,甚至马戏团和其他形式的表演中汲取灵感。在运用尼采的悲剧理论和格林纳威的'整体电影'概念,对麦昆2004春/夏的'释放'系列进行讨论的基础上,本文认为麦昆的作品符合悲剧性的表演艺术,在时尚领域创造了一种后现代的艺术实践。
The fashion designer Alexander McQueen’s work has had a huge impact on the fashion industry,whose shows were frequently inspired by cinema,as well as literature,theatre,dance and music,and even the circus and other forms of spectacle.Based on McQueen’s collection of Deliverance of Spring/Summer 2004,in the light of Friedrich Nietzsche’s concept of tragic art and Peter Greenaway’s ideas of total cinema,this paper argues that the designer’s work creates a post-modern artistic practice in fashion,which converges upon an art that conforms an eclectic spectacle of the Tragic.
作者
卢幸妮(译)
German Gil-Curiel(University College Cork)
出处
《马克思主义美学研究》
2019年第1期116-124,552-553,共10页
Research on Marxist Aesthetics
基金
国家社科基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)的阶段性成果
