摘要
在当代人文社会科学的演化和发展过程中,人类学日益凸显其在学科疆界拓展与学科重组中的价值与意义,而美学的人类学转向早已成为不争的事实与学术潮流。人类学以其实证研究与反思性,为美学'感性存在'的显现与敞开、关于审美和艺术的重新理解与发掘以及打破美学的西方中心主义格局和西方传统美学研究范式,从而建构多样性的当代美学提供了诸多可能性。在此过程中,人类学绝不仅仅只是方法,而是作为一种根本性的精神在其中发挥作用。
In the evolution and development of contemporary humanities and social sciences, anthropology plays a key role in breaking the interdisciplinary boundaries and in contributing to the birth of new disciplines. The anthropological turn of aesthetics becomes an indisputable fact and academic trend. Anthropology, by the light of its empirical spirit and reflexivity, offers many possibilities to present aesthetic"perceptual existence"; to re-understanding and excavating the meaning of the arts,as well as to breaking the Western centrist patterns and Western aesthetic paradigms.It clears up a way to construct the diversity of contemporary aesthetics. Anthropology not only provides approaches, but can be considered as a fundamental spirit.
出处
《马克思主义美学研究》
CSSCI
2017年第1期235-254,12,共21页
Research on Marxist Aesthetics
基金
国家社会科学基金青年项目“审美人类学的学理基础与发展趋势研究”(项目批准号:12CZW019)的阶段性成果
关键词
人类学转向
美学的革命
范式的转换
当代美学
anthropological turn
aesthetic revolution
the switch of paradigm
contemporary aesthetics
