摘要
林格伦的童话“长袜子皮皮”系列往往被视为对传统儿童观的超越,而“小飞人卡尔松”系列的意义往往被忽略,一般认为“小飞人卡尔松”不过是顽童“皮皮”的翻版,这是一种误读。“卡尔松”形象标志着林格伦童话的第二次突破和飞跃,不仅使孩子还原成孩子,还帮助成人获得释放之路,让儿童与成人在童心交流中彼此接纳,和谐相融。寻找理想的儿童和成人以及他们之间合理的相处模式是林格伦童话言说的重要方面。同时,在林格伦童话中交织着“儿童反儿童化”以及“成人反成人化”两种倾向。
Pipi Longstocking', one of Astrid Lindgren's tales, was always considered as a giant step in traditional views toward children, but the meaning of 'Karlsson-on-the-roof' was ignored frequently. Generally, among people there is a misconception that 'Karlsson' is the reproduction of the naughty child, 'Pippi'. Actually the image of 'Karlsson' is a symbol of the second great leap in Astrid Lindgren's tales. It does not only make the children return to their own nature, but also help the adults find a way to release themselves. It makes children and adults able to accept and communicate with each other smoothly with a childlike heart. The most important aspect in Astrid Lindgren's tales is seeking the ideal children and adults and the reasonable way for helping them both get along well with each other. On the other hand, there are also two kinds of tendencies in her tales, one is 揷hildren don抰 want to be childlike? the other is 揳dult don抰 want to be adult like?
出处
《湖南城市学院学报》
2003年第1期97-100,共4页
Journal of Hunan City Univeristy
