摘要
孟浩然的《春晓》与李清照的《如梦令》,描摹的都是春残花落的暮春景象,表现的都是晨起后的一段思想活动,但其在表现惜春的情感和对生活内容及情感过程的揭示方面,均有不同的感悟和各异的手法。这两首“似为同旨,实则异趣”的孟诗李词,可堪称对赏的典范文本。
Both Meng Haoran's Spring Morning and Li Qingzhao's Spring Morning tuned Like a Dream depicted remnant blighted late spring scenery and expressed their mental action after getting up in the morning. But they had different feelings and expressing ways to the same object, which may be rated as the typical texts in contrast appreciation.
出处
《张家口师专学报》
2003年第1期15-17,共3页
Journal of Zhangjiakou Teachers College
