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泰戈尔散文诗的创作和理论(上)——以中国宋代诗学为参照系的印度诗学比较研究

Tagore's Prose Poetry and Relative Theories Examined from the Angle of Comparative Literature
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摘要 泰戈尔散文诗具有尚淡的特色 ,其理论根据是只有他刻意追求的尚淡情调的散文诗才能实现外在世界与其心灵的完美结合。泰戈尔散文诗具有随意的特色 ,其理论根据是规则必须为人的创造性的艺术思维服务。泰戈尔散文诗具有广泛的题材 ,其理论根据是大梵的无所不在决定了与时俱进的文学家必须题材广泛。以上三方面均与中国宋代诗文理论之间存在着精神联系 ,这种内在的联系为泰戈尔散文诗与散文诗理论的比较研究提供了依据。 Tagore's prose poetry is of a simple and elegant style,whose theoretical grounds lie in that he did his best to achieve such a style in order that he might reach a perfect unification of the outside world and his inner life.It is also of a casual style,whose theoretical grounds lie in that all the literary laws must serve man's artistic thinking,which is essentially creative.And it is written in an extensive scale of subject matters,whose theoretical grounds lie in that Brahman is everywhere and therefore a writer that advances with the times must write in such a scale.The above three aspects are spiritually linked with the theories of Song China,which serves as a basis on which a comparative study is made of Taogre's prose poetry and his relative theories.
作者 张思齐
机构地区 武汉大学中文系
出处 《阴山学刊》 2003年第1期53-59,共7页 Yinshan Academic Journal
关键词 泰戈尔 散文诗 中国 宋代 印度 诗学 比较研究 文学创作 Indian Literature Tagore prose poetry Song Poetry comparative study
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