摘要
项穆正宗书学观所认定的书法本质是从儒家文艺功用的角度出发的。“人正即书正”乃是这种本质观的体现,它揭示了中国传统审美的一种取向,有其深刻的历史意义。“书统即道统”论者站在维护功序礼教的角度对待书法,在某种程度又有其局限性。
The essence of Calligraphy from his view of Orthodox in Xiangmu抯 calligraphic discourse, derives from Confucian conception which stresses Art抯 moralization effect. This kind of view reveals that 揇ecent calligraphy comes from Decent character? This shows the trend of traditional Chinese aesthetics, and has profound historical significance. The concepton that the doctrine of calligraphy is that of man?is based on the moralization and function effect of art. And it has its own deficiency.
出处
《重庆三峡学院学报》
2003年第2期64-66,共3页
Journal of Chongqing Three Gorges University
关键词
书法本质
儒家
文艺功用观
Essence of calligraphy
Confucianism
Moralization effect of Art
