摘要
本文以日本建筑界在明治时期的中国调查为研究对象,首先整理了19世纪90年代至1910年之前的伊东忠太、大江新太郎、大熊喜邦、佐野利器、关野贞、冢本靖、三桥四郎等数十次的调查内容,重点公开了百年之前的建筑测绘等实录性史料。之后,分析了各个调查的对象和方法的异同,指出伊东忠太一行1905年满洲建筑调查范围从宫殿、陵墓、庙宇扩展到了住宅、剧场、店铺等市井建筑的特征,解析了伊东忠太在1902—1905年间世界大旅行时为了建构世界建筑体系的调查与1905年满洲调查注重风土、生活实态的方法的差异。
This paper explores the methods of Japanese fieldwork on Chinese architecture in the Meiji era.The authors introduce more than ten field investigations carried out by Chuta Ito,Tadashi Sekino,Shintarou Ohe,and Yasushi Tsukamoto between 1890 s and 1910 s in order to expose almost a-century-old actual measurement and documentation data that has not previously been published.The authors then further analyze the different objects of investigation and the methods used by each team.Finally,the 1905 Manchurian survey by Chuta Ito is discussed in greater detail,which stands out because of its expanded scope of investigation going beyond traditional subject matters like imperial palaces,tombs,and temples.The new focus on dwellings,theaters,and shops demonstrates the different goal of the 1905 survey i.e.to increase understanding and awareness for Manchurian culture rather than to explore the roots of Japanese architectural history.
出处
《中国建筑史论汇刊》
2014年第2期21-41,共21页
Journal of Chinese Architecture History
关键词
伊东忠太
关野贞
中国建筑史
唐长安城
剧场
住宅
Chuta Ito
Tadashi Sekino
Chinese architectural history
Tang-dynasty Chang’an
theaters
dwellings
