摘要
明清时期西画东渐过程中可行性和阻碍性的交织构成了明清时期西画东渐不同于其它阶段的特殊性,西画东渐的过程也并非为大多数人所理解的单向传播,而是中西美术的一次尝试性的交流和融合。本文将结合明清时期特有的时代特色来分析这一时期东西文化交流下东西美术的"双向性"。
West Paining during the Ming and Qing Dynasties feasibility and obstacles of interwoven Ming and Qing Dynasties West Paining Unlike other stages of the particularity of the west Paining process is not a one-way propagation most people understand, and is an exchange and integration of Chinese and Western art tentative. This will combine the unique features of the times Ming and Qing Dynasties to analyze things cultural things at this period of art 'two-way.'
出处
《佳木斯职业学院学报》
2016年第1期366-,共1页
Journal of Jiamusi Vocational Institute
关键词
明清时期
东西美术
双向性
Ming and Qing Dynasties
Eastern and western art
two-way
