摘要
造物与道的联结使得造物活动带有了精神性,"道法自然"更是沟通了人与天地自然。中国长久的农耕社会孕育和培养了"道法自然"的思想传统,这一传统渗透在人的造物活动中。"道法自然"是中国传统造物主要的思想原则,具体表现为,造物活动是合自然(规律)与合目的的统一,取材上尽力展现材料本身的质地,工艺上追求自然与工巧的平衡,审美上追求素朴和自然天成。在造物中,古人还运用智慧巧借自然而造物,力图与自然有机融合,营造出生机活泼的气氛。此外,有、无同出于道,有无、虚实相生也是"道法自然"在造物中的衍生表现。
Object-creating gains spirit because of its relation to Dao,and Dao follows nature further makes the communication between men and nature possible.Chinese long farming society breeds and cultivates the thought of'Dao following nature',and this traditional thought permeates in human’s object-creating.It is the major principle of Chinese object-creating thought.It embodies in all aspects or links of object-creating.Object-creating is a unity of nature(law)and purpose,and it tries to unfold the quality of material itself and pursues the balance between nature and art,and it is inclined to simplicity and nature.Besides,ancient craftsman plays his wisdom in object-creating with the help of nature skillfully,so creation can have an organic integration with nature and create a lively atmosphere.Besides,having and not having both come from Tao,and inter-promoting between having and not having is also derivative performance of'Dao following nature'.
作者
郝晓红
Hao Xiaohong(Tai Yuan Normal university,030619 Jinzhong Shanxi)
出处
《设计艺术研究》
2019年第1期28-31,共4页
Design Research
关键词
道
自然
造物
Dao
nature
Object-Creating
