摘要
宗白华以"静照"与"飞动"作为理论支点,由此展开其艺术哲学的理论阐释。"静照"的核心是对艺术美本质的把握,并辐射到艺术的本体和审美主体的人格修养、精神境界等方面;"飞动"重在阐释中国艺术如何传达艺术美的本质——生命的动感。"静照"与"飞动"相互依存,有机统一,展现了中国艺术境界的本质特征。宗白华对中国传统艺术美成功地进行了现代理论的阐释。
Zong Baihua undertakes the narration of his art philosophy theory on the basis of the aesthetics serenity and aesthetic modification. The crux of aesthetic serenity is the comprehension of the art aesthetics which is concerned with art itself and spiritual self-cultivation of the subject. The Aesthetic modification focuses on the quality of how the Chinese art expresses art aesthetics, which is offered a vivid appreciation. The aesthetic serenity and aesthetic modification display the nature of Chinese art, which rely on each other and are the integrity of the art appreciation. Zong Baihua successfully interpret the traditional Chinese art aesthetic via modern theories.
出处
《宝鸡文理学院学报(社会科学版)》
2003年第1期21-26,共6页
Journal of Baoji University of Arts and Sciences:Social Science Edition
关键词
艺术哲学
'静照'
把握
'飞动'
传达
有机统一
art philosophy
aesthetic serenity
comprehension
aesthetic modification
express
integrity of art appreciation