摘要
文章从戏剧的起始源头、发展脉络对中国京剧与欧洲歌剧作了比较。接着 ,又从分析中国与西方的政治体制、民族性、哲学思想与科技发展水平的差异入手 ,对中国京剧的写意风格和以演员表演为中心、欧洲歌剧的写实风格和以音乐为中心的美学特点作了阐述和比较。
This paper is comparative study of Peking Opera and European opera in perspective of their origins, and their processes of development. With an analysis of the differences in the political system, nationality, and philosophy between China and Europe, this paper concludes that Peking Opera is performance-centered and European opera is music centered.
出处
《宁波大学学报（人文科学版）》
2002年第4期54-56,共3页
Journal of Ningbo University：Liberal Arts Edition
关键词
中国京剧
欧洲歌剧
写意
写实
表演为中心
音乐为中心
Peking opera
European opera
factualism,connotation
performance-centeredness
music-centeredness
