摘要
西汉末至东汉中后期,草书体确立,并由为交流而书写的实用工具升华为一种以审美为最高目标的艺术。这一由实用到审美的演变,不仅标志着中国艺术的观念由非自觉到自觉的飞跃,而且蕴涵了东汉士人精神世界中个体生命意识的自觉和艺术精神的萌生。这一变化,与东汉时期社会思潮的兴替变迁密切相关。
The style of cursive hand had been established since the end of Western Han to the middle and latter period of Eastern Han;and it raised from a practial tool of writing for exchange to an art with aesthetics as highest objective.This evolution from practical to beauty appreciation not only marked a leap of the sense of Chinese art from unconscious to conscious but also contained the consciouseness of individual life awareness in the spiritual world of scholars of Eastern Han and the burgeoning of artistic spirit.This change closely related to the rise and fall and the changes of ideological trend in the society during Eastern Han.
出处
《华侨大学学报（哲学社会科学版）》
2002年第4期109-116,共8页
Journal of Huaqiao University(Philosophy & Social Sciences)
关键词
东汉
草书
群体意识
个体意识
艺术精神
Eastern Han
Cursive hand
group consciousness
individual consciousness
artistic spiril
