摘要
在传统社会中,文士阶层基于自己的审美需求和生命价值取向,为祝寿绘画融入了诸如道德、情操、品格等方面带有文化象征意义的符码,在一定程度上弥补了祝寿绘画在常规应用时表现手法单调、内容趋同、文化内蕴浅露、精神性缺乏方面的不足,使其呈现出更为丰富的图式和雅化意蕴。在创作模式的表达上,文士阶层在图像中了植入一些被赋予清贞人格、脱俗情操的意象元素,并将他们对生命价值的理解融入创作之中,改变了先前祝寿绘画仅以祈愿生命长久为主旨功能的恒常藩篱,使这类绘画具备了化俗为雅的审美情趣和生命觉性。
In the traditional society,the scholar class added some cultural symbolic codes from the aspects of morality,sentiment and character into birthday painting based on their personal aesthetic needs and life value orientation,which made up for the deficiencies of monotonous expression,similar contents,shallow cultural connotation and spiritual insufficiency in the conventional application of the painting to a certain degree,making it more rich and elegant. As to the expression of painting mode,the scholar class implanted their pure personality and understanding of life into the creation,changed the previous longevity-praying function of birthday painting,and endowed it with the aesthetic taste and life awareness of turning vulgarity into elegance.
出处
《华南师范大学学报（社会科学版）》
CSSCI
北大核心
2016年第6期180-184,192,共6页
Journal of South China Normal University：Social Science Edition
基金
教育部课题"民俗艺术视角下的祝寿图像研究"(14YJC760007)
安徽大学校级精品课程"安徽省民间美术实践教学"
关键词
祝寿绘画
文士阶层
类型
审美趣尚
表达范式
birthday painting
scholar class
type
culture of elegance
expression pattern
