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论古代诗歌的“以悲为美” 被引量:1

The Concept of “Sadness as Beauty” in Ancient Chinese Poetry
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摘要 就起源于先秦、奠定于汉魏、发展于唐宋的“以悲为美”的诗歌美学思想,阐述了唐诗“悲音 美”的特质,指出了不同时期诗歌“以悲为美”的美学特征。 Shelley, one of the greatest poets of the school of romantism, once said, 'Our sweetest songs are those that tell of saddest thoughts'. But this viewpoint of aesthetic has been in existence in the ancient time of Chinese poetry inditement. This topic mainly discuss the poetry eye of aesthetic which was originated from pre-QIN Dynasty, well formed in HAN WEI period and developed greatly in TANG-SONG Dynasty, and the special esthetics coruscated in the history of poetry producing in multi-age by the sound of melancholy and complaining.
作者 傅朝霞
机构地区 苏州科技学院
出处 《连云港化工高等专科学校学报》 2002年第4期159-161,共3页 Journal of Lianyungang College of Chemical Technology
关键词 古代诗歌 '以悲为美' 悲怨 美学思想 美学特征 poetry melancholy the thought of esthetics
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参考文献2

  • 1杨仲义著..诗骚新识[M].北京:学苑出版社,1999:271.
  • 2杨海明著..唐宋词史[M].南京:江苏古籍出版社,1987:584.

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