摘要
论文从时空复现的叙事策略、温柔敦厚的影像表达和身心投入的情感结构三个层面 ,揭示了第四代电影导演为了思想启蒙、文化反思和人性诉求而诗化历史的主体意识 ;并在对有史以来中国电影历史叙述的各种模式进行分析阐释之后 ,将第四代电影导演诗化历史的独特姿态纳入中国电影文化史的整体框架之中 :在第四代之前的历史表象呈示和第四代之后的历史重构机遇之间 ,第四代导演的历史诗化策略第一次把中国电影的道德处境、民族形象和家国梦想整合在文化阐发的历史维度 ,并表现出现代中国电影难得一见的批判性和内省性气质 。
This paper reveals the subjective awareness of directors of the 4th generation in history description from three aspects, and places their unique mode of history portrayal within the entire framework of the Chinese movie history by analyzing and explaining various modes of history narration in Chinese movies. It is opined that the directors of the 4th generation have displayed their unique approach to narrating history in the movies, thus having established a crucial landmark for the prospective cultural exploration of Chinese movies.
关键词
第四代导演
历史意识
诗化历史
叙事策略
影像表达
情感结构
中国电影史
directors of the 4th generation
historical awareness
poetic narration of history
narrative strategy of recurrent time and space
tender and honest image expression
preoccupied emotional composition
cultural elucidation
