摘要
生态电影是后现代社会形象化、空间化、反人类中心的社会文化表征。生态电影从"家园"叙事母题中衍生出来的基本主题,即生态家园的多样性、生态家园中各生物的"内在价值"、人类是破坏生态家园的罪魁祸首以及人类如何回归、重建生态家园等。人类最早和最后的家园都是自然,也只能是自然。人类想离家出走,最终只能是无家可归。
The eco-film is a kind of social and cultural representation of post-modern society featured with visualization,spatialization and anti-anthropocentrism.The basic themes derived from the narrative motif of'home'include the diversity of eco-home,the'intrinsic value'of each living thing in eco-home,humans as the cause of destruction of eco-home,human’s return and the reconstruction of eco-home,etc..Human’s first and last home is nature and should only be nature.Therefore,humans who try to run away from home are bound to end up homeless.
作者
李启军
LI Qi-jun(Guangxi University for Nationalities,Nanning530006,China)
出处
《广西民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第2期9-17,共9页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
基金
国家社科基金项目"国外纪录片中的中国少数民族形象研究"(项目编号:17XZW017)
