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士大夫文化视角中的中国古代女性诗歌发展史 被引量:5

The Development of Premodern Chinese Female Poetry within the Culture of Scholar-officials
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摘要 中国古代女性诗歌发源于原始歌谣,从歌谣、风诗到汉代乐府及五言,女性在诗歌史上的地位,近乎可与男性平分秋色。魏晋以降,随着士族及其文化、文学传统的确立,女性诗歌开始进入主要依附士大夫文学的发展阶段,在唐、宋、明、清各代,其均有与当时士大夫文化联系的不同方式,与封建时代后期的士族制度的变化也有同步趋势。同时,与男性文人群体的阶层化相似,中国古代的女性文学家群体中也存在阶层化的现象。 Premodern Chinese female poetry originated from folk songs;from folk songs,'air'poems of the Shijing,Han yuefu,to pentasyllabic poetry,female authors held a position almost as prominent as male authors in the history of poetry.Since the Wei and Jin,with the establishment of aristocracy and its culture and literary tradition,female poetry became a dependent of the literature of scholar-officials.Nonetheless,in the Tang,Song,Ming and Qing,it had different ways to connect with the culture of scholar-officials,and tended to be in sync with the development of aristocracy system in the later imperial.Meanwhile,the phenomenon of social stratification that took place among male literati also happened to premodern Chinese female authors in a similar fashion.
作者 钱志熙 Qian Zhixi
机构地区 北京大学中文系
出处 《中国高校社会科学》 CSSCI 北大核心 2019年第5期95-107,158,共14页 Social Sciences in Chinese Higher Education Institutions
关键词 女性文学 女性诗歌 士大夫文化 Female literature female poetry the culture of scholar-officials
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