摘要
山水画家刘晓阳近期的山水画写生作品通过笔墨语言的转换与画境营造,同时融入西方色彩规律,实现了自身风格的转变以及“迹与心和”的艺术追求。本文通过分析刘晓阳的山水画写生的特点,有助于深化我们对写生路径的认识,了解艺术家在长期创作实践中的体悟与“心象”的交融。
In Liu Xiaoyang's recent landscape sketching works,Landscape painter Liu Xiaoyang achieves a transformation of his style and expresses his artistic pursuit of"the harmony of painting and mind"through the conversation of ink and brush language and the creation of a painting enviroment,while also incorporating Western color principles.Analyzing Liu's landscapes sketches can help us to deepen our understanding of the path of sketching,and provide insight into the artist's reflections during his long creative journey,as well as the intermingling of"mental image"(Xinxiang)in his works.
作者
宋黎
刘玥煊
Song Li;Liu Yuexuan
出处
《美术观察》
CSSCI
北大核心
2024年第10期154-156,共3页
Art Observation
关键词
写生
笔墨
心迹
心象
sketching
ink and brush
mind
image
