摘要
多民族聚居的滇西北地区,地理环境的复杂性及不同民族之间的迁徙交流,塑造了它独具特色的建筑装饰文化。本文旨从符号美学视角探讨滇西北少数民族民居木质装饰符号的设计转化方法。通过实地考察与理论分析,揭示其民族理念延续的美学符号创造,观念抽象的美学意象凝结,族群个性的符号审美塑造等符号特质。归纳其在现代设计转化方法为形转意延的情感触动,通感共情的情景塑造,联想映射的功能融合。期望通过设计转化,赋予这些具有深厚文化与美学价值的符号新生命,推动其在当代的传承与发展。
The complexity of the geographical environment and the migration and exchange among different ethnic groups in the multi-ethnic settlement of northwest Yunnan have shaped its unique architectural decoration culture.This study explores the design transformation methods of wooden decorative symbols for ethnic minority residences in northwest Yunnan from the perspective of symbolic aesthetics.Through field investigation and theoretical analysis,the study reveals the symbolic characteristics,including the aesthetic symbol creation reflecting ethnic continuity,the condensation of abstract aesthetic imagery,and the symbolic aesthetic shaping of ethnic individuality.Modern design transformation methods are summarized as emotional stimulation through form and meaning extension,situational shaping through synesthesia and empathy,and functional integration through associative mapping.By imparting new life to these symbols with profound cultural and aesthetic value through design transformation,the study aims to promote their contemporary inheritance and development.
出处
《家具与室内装饰》
北大核心
2024年第10期112-117,共6页
Furniture & Interior Design
基金
云南省哲学社会科学艺术科学重点项目(A2022ZS02)
2023年云南省专业学位研究生教学案例库建设(2023130)。
关键词
符号美学
滇西北
少数民族民居
木质装饰
设计转化
Symbolic aesthetics
Northwest Yunnan
Minority residence
Wooden decoration
Design transformation
