摘要
本文从抒情传统的视域讨论“淡”与“抒情自我”,源自对抒情“主体性”的发现与思考。文章基于中国文化“言志”与“抒情”的统一,从抒情传统的理论体系、庄学的发展脉络透视“淡”与“抒情自我”的关系。先由主体性、境界、物我关系三个层面,探索“淡”成为集体价值、理想、心境的过程及其在文艺中的实现方式。再从批评史的脉络勾勒“淡”在音乐、诗歌、书法和绘画理论中的发展历程,重新思考“淡”的风格论意义及其在中国抒情传统中的位置与价值。
This paper examines the concepts of“blandness(dan)”and“lyrical self”within the context of the Chinese lyrical tradition,which stems from the discovery and contemplation upon the“subjectivity”inherent in lyricism.Drawing upon the unity of aspiration-expression(yanzhi)and emotion-release(shuqing)in Chinese culture,the paper analyzes the relationship between blandness and the lyrical self through the lenses of lyrical tradition and Zhuangzi studies.By engaging with the three aspects of“subjectivity,”“inscape”and“object-self relationship,”the paper explores the how blandness evolves into a collective value,ideal,and inscape,as well as its manifestation in literature and the arts.Furthermore,the paper examines the development of blandness in the theories of music,poetry,calligraphy,and painting,offering a reevaluation of its stylistic significance and its status and value within the Chinese lyrical tradition.
作者
曹舟
Cao Zhou(Department of Chinese Language and Literature at Fudan University,Shanghai 200433,China)
出处
《文艺理论研究》
CSSCI
北大核心
2024年第4期172-182,共11页
Theoretical Studies in Literature and Art
基金
上海市哲学社会科学规划自筹课题“宋代三教视野下的文论‘淡’范畴研究”[项目编号:2023ZWY004]阶段性成果。
关键词
“淡”
范畴
抒情自我
抒情传统
“美典”
blandness(dan)
category
lyrical self
Chinese lyrical tradition
aesthetics
