摘要
稷山螺钿漆器制作工艺是山西目前现存的三类大漆工艺之一。本文通过实地考察、问答采访与文献调查的方法,梳理出稷山螺钿漆器制作工艺的发展历史与漆器的审美艺术特征,分析稷山螺钿漆器制作工艺与地域性产品结合的价值意义,提出符合时代发展的地域性大漆产品设计原则,以开拓稷山螺钿漆器产品的现代化发展道路,稷山螺钿漆器制作工艺融合地域性的产品设计需体现文化需求、市场需求、社会需求,促进传统手工艺的现代传承与传播。
Jishan mother-of-pearl lacquer craft is one of the three kinds of lacquer craft in Shanxi Province.Through the methods of field investigation,Q&A interview and literature investigation,this article sorts out the development history and aesthetic artistic characteristics of Jishan mother-of-pearl lacquer technology,analyzes the value of combining Jishan mother-of-pearl lacquer technology with regional products,and puts forward the design principles of regional lacquer products that are in line with the development of the times,so as to open up the modern development road for Jishan mother-of-pearl lacquer products.Product design that integrates the production process of Jishan mother-of-pearl lacquerware with regional characteristics needs to reflect the cultural needs,market needs,social needs,to promote the modern inheritance and dissemination of traditional handicraft.
作者
吉祥瑞
魏加兴
JI Xiang-rui;WEI Jia-xing
出处
《中国生漆》
2024年第3期40-44,共5页
Journal of Chinese Lacquer
基金
桂林电子科技大学研究生教育创新计划项目“桂林状元文化融入传统漆艺文创设计的共创模式与产品开发研究”(项目编号:2024YCXS08I)。
关键词
稷山螺钿漆器制作工艺
漆器艺术特征
地域文化
产品设计原则
Jishan mother-of-pearl lacquer craft
Lacquer art features
regional culture
Product design principles
