摘要
梁鸿的《中国在梁庄》以处于工业化时期的河南农村为观察对象,探究人与乡的共生过程,意图书写一部乡土中国的变迁史和“吾土吾民”的生存史。“空间”视野观照下的梁庄呈现出三重面貌:梁庄的建筑空间、家庭空间在现代化实践中呈现新的面貌;“废墟式”的空间表征体现故乡在转型中面临的问题和挑战;生活空间中的梁庄作为传统和现代力量的对抗融合之地,呈现农民复杂真实的生存状态。因此,“梁庄”象征着乡土中国转型时期的发展命运,折射出乡村内在的混沌与秩序并存的过渡状态,交织着传统与现代之间的张力。
Liang Hong's China in One Village takes the Henan countryside in the industrialization period as the observation object,explores the symbiosis process between people and village,and intends to write a history of the changes of rural China and the survival of"my land and my people"history.From the perspective of"space",Liangzhuang presents three aspects:the architectural space and family space of Liangzhuang present a new look in practice of modernization;the spatial representation of"ruins"reflects the problems and challenges faced by the hometown during the transformation;Liangzhuang in the living space,as a place of confrontation and intergration of traditional and modern forces,presents the complex and real living conditions of farmers.Therefore,"Liangzhuang"symbolizes the development and destiny of rural China in the transition period,reflecting the transition state of chaos and order in the village,and interweaving the tension between tradition and modernity.
作者
张悦
ZHANG Yue(School of Chinese Language and Literature,Shaanxi Normal University,Xi’an Shaanxi 710119,China)
出处
《四川职业技术学院学报》
2024年第5期115-120,162,共7页
Journal of Sichuan Vocational and Technical College
关键词
《中国在梁庄》
梁鸿
空间叙事
China in One Village
Liang Hong
space narration
