摘要
广场舞与“社会摇”是国内21世纪10年代崛起的两种颇具代表性且广受瞩目的社会舞蹈样式。从审美风格来看,二者都是典型的艺术生活化现象,其表演特征可归纳为“噪音下的集体摇摆”。不同在于,广场舞体现出大众趣味,“社会摇”则追求“土味”刻奇。广场舞与“社会摇”的空间实践是一种后阶级时代的身份政治,表演者们试图通过审美共同体的建构寻求自我认同与社会认同,以摆脱社会边缘地位所带来的身份焦虑。不过,这种空间实践最终建构的是一种被凝视的他者景观,一种现实中的异托邦。广场舞与“社会摇”存在价值冲突之处,前者展现乐观生活姿态与女性自觉意识,而后者宣扬虚无享乐思想与男性中心主义。两种亚文化因此走上了迥异的命途:广场舞被主导文化与主流文化顺利收编,“社会摇”则被规训与惩罚,后者在沉寂多年后以“科目三”等衍生形式尝试摆脱土味刻奇的标签,趋近大众审美趣味与主流价值理念。
“Public square dance”and“social shake”are two representative and popular dance styles that emerged in China in the 2010s.From the perspective of aesthetic style,both of them are typical phenomena of art being integrated into life,and their performing characteristics can be summarized as“collective swing amidst noise”.The difference is that public square dance reflects popular taste,while social shake pursues kitsch.The spatial practices of public square dance and social shake represent identity politics in a post-class era,where performers try to seek self-identity and social identity through the construction of aesthetic community,to get rid of the identity anxiety brought by their marginalized social position.However,this spatial practice ultimately constructs a scenario gazed upon by others,a real-world heterotopia.There is a value conflict between public square dance and social shake:the former shows an optimistic attitude toward life and a female consciousness,while the latter flaunts nihilistic hedonism and male chauvinism.Consequently,these two subcultures have taken divergent paths:public square dance has been smoothly incorporated by the dominant and mainstream cultures,whereas social shake has been disciplined and punished.After years of silence,it has tried to shed its kitsch label through its derivative forms such as“Subject Three”(Ke Mu San),to get closer to the popular aesthetic tastes and mainstream values.
作者
李宁
LI Ning(School of Arts and Communication,Beijing Normal University,Beijing 100875,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2024年第3期9-16,共8页
Journal of Beijing Dance Academy
基金
北京市社会科学基金项目“中国民族民间舞观念流变文献整理与理论研究(1949—2012)”(项目编号21YTC036)阶段性成果。
关键词
社会舞蹈
广场舞
社会摇
审美表达
空间政治
social dance
public square dance
social shake
aesthetic expression
spatial politics
