摘要
在“青春写作”遭遇危机的后“五四”时期,林庚诉诸“感觉”话语的新诗理论为“青春写作”开拓新路径。林庚的“感觉”建构与其对唐诗“少年精神”的诠释有密切的内在关联。立足语言和生命的同构关系,林庚将“感觉”定位于日常的涌动生机,提出一种飞跃性的、富于“美的健康”的语言,并对“引渡本真时间”和“打开自由空间”的感觉式意象进行创作实践。林庚的“感觉”论以“静养”诗学和“自然”格律为根本,其诗学思想代表一种从中国自身历史生长而出的有关现代的想象。
During the post May Fourth period,when"youth writing"faced a legitimacy crisis,LIN Geng put forward the new poetry theory based on"feeling"discourse to open up a new path for"youth writing".LIN Geng′s construction of"feeling"is inherently related to his interpretation of the"youth spirit"in Tang poetry.Positioning"feeling"as the surging vitality of daily life,he proposes a leaping and beautiful language based on the isomorphic relationship between language and life,by which,he creates the images of"extraditing true time"and"opening up free space".LIN Geng′s theory of"feeling"is based on the poetics of"tranquility"and the rhythm of"nature",representing a time-related imagination rooted in Chinese hitory.
作者
关泽琳
GUAN Zelin(College of Literature and Journalism,Sichuan University,Chengdu 610207,China)
出处
《洛阳理工学院学报（社会科学版）》
2024年第5期68-72,共5页
Journal of Luoyang Institute of Science and Technology：Social Science Edition
关键词
青春写作
林庚
诗学
感觉
youth writing
LIN Geng
poetics
feeling
