摘要
在“西游”故事演化、传播及百回本《西游记》成书与经典化的过程中,“证道”与“游戏”之间的冲突与拉扯是影响各种文本叙述策略的最主要“受力关系”。受三种“前文本”类型的综合影响,清代文人“西游戏”在权衡二者关系时,存在以“证道”为其外部叙述构架,以“游戏”为其内部叙述结构的倾向。“证道”主旨并未渗透至文本肌理层面,它经常落实为篇末绾结或首尾照应的场面,在框定叙述的同时,也为文本提供一种外在的、显豁的、可以直接辨识的意义。叙述的主体则仍以“游戏”为旨趣,无论重新组织“神魔”故事内部各事件的“时间-因果”关系,还是“编织”进新的事件,皆为其服务。这使得戏曲较小说表现出更强的“游戏”品格。
In the process of the evolution and dissemination of the stories about the Journey to the West and the completion and classicization of the one-hundred-chapter Journey to the West,the conflict and tension between“proving the Tao”and“gaming”are the most important factors that affects the narrative strategies of various text.Under the comprehensive influence of the three types of“pre-texts”,when weighing the relationship between the two,the literati in the Qing Dynasty inclined to take“proving the Tao”as the external narrative framework and“gaming”as the internal narrative structure.The theme of“proving the Tao”has not penetrated into the texture level of the text.It often appears at the end of the text or as a scene of inclusion pattern.While framing the narrative,it also provides an external,explicit and directly identifiable meaning for the text.The main body of the narrative is still based on the“gaming”,whether it is to reorganize the“time-causality”relationship of the events within the“gods and demons”story,or to“weave”into new events,all of which serve it.This makes the dramas show a stronger“gaming”character than the novel.
作者
赵毓龙
李斯琪
ZHAO Yu-long;LI Si-qi(School of Chinese Language and Literature,Liaoning University,Shenyang 110036,China)
出处
《辽东学院学报（社会科学版）》
2024年第3期51-58,共8页
Journal of Liaodong University：Social Science Edition
基金
2023年度国家社会科学基金一般项目“‘西游’故事多民族地域演化研究”(23BZW0079)
2019年度教育部人文社会科学研究青年项目“晚清‘西游戏’编演资料整理与研究”(19YJC751073)。
关键词
《西游记》
西游戏
叙述策略
证道
游戏
Journey to The West
dramas related to Journal to the West
narrative strategy
proof of Tao
game
