摘要
静止是戏剧中一种别样的艺术形态。静止戏剧颠覆了传统戏剧重情节、重人物的写作方式,演员在舞台上通过适当的沉默、停顿,给观众以充足的时间去深入感觉其精神世界的变化,在普遍的真实中寻找自我。以静止性出名的契诃夫戏剧,正是借助“停顿”,使人物的言行、剧情等受到阻滞,弱化戏剧冲突,使戏剧呈现一种“静止”的形态。以《万尼亚舅舅》为例,分析契诃夫戏剧中静态性产生的时代背景,以及他在创作中如何通过“静止”让外部形式淡化,去展现人物的精神世界,在舞台上营造忧郁、静止的抒情性氛围,并通过批判、讽刺现实的不公,向观众揭示了最真实的俄国社会。
Still is a unique artistic form in drama.Static drama subverts the traditional writing style of drama that emphasizes plot and characters.Through appropriate silence and pauses on stage,actors give the audience enough time to deeply feel the changes in their spiritual world and find themselves in the universal reality.Chekhov's plays,known for their stillness,use pauses to hinder the characters'words,actions,and plot,weaken dramatic conflicts,and present a form of stillness in the play.Taking Uncle Vanya as an example,this article analyzes the historical background of static nature in Chekhov's plays,as well as how he uses"stillness"to weaken external forms in his creations,showcasing the spiritual world of characters,creating a melancholic and static lyrical atmosphere on stage,and revealing the most authentic Russian society to the audience through criticism and satire of the unfairness of reality.
作者
刘桂霞
LIU Guixia(College of Preparatory Education,Qinghai University for Nationalities,Xining 810000,China)
出处
《宿州教育学院学报》
2024年第4期112-117,共6页
Journal of Suzhou Education Institute
