摘要
龙迪勇在叙事学领域深耕二十余年,“空间叙事”堪称其最初的学术标识与学术名片。而早在研究空间叙事阶段,龙迪勇就有意识地从媒介角度切入,从而为后续的跨媒介叙事、艺术叙事学打下坚实基础。尤为值得注意的是,龙迪勇并非将叙事学囿于文学作品,而是将研究范围延伸到语言媒介之外的其他叙事形态,从而形成了跨学科视角的鲜明特点。龙迪勇的另一特点则是鲜明的中国立场,其一系列研究成果表明,叙事学研究需要充分激发中国古代、中国本土的叙事学思想,从而才能“在此基础上构建具有中国特色的叙事理论”。
Long Diyong has been deeply committed to the field of narratology for over 20 years,whose academic identifier and calling card is“spatial narrative”.As early as his studies on spatial narrative,Long Diyong conscientiously integrated media perspectives,thereby laying a solid foundation for his subsequent academic pursuits.It is particularly noteworthy that Long Diyong does not confine narrates to literary works,but extends his research scope to other narrative forms beyond language media,thus forming a distinctive feature of interdisciplinary perspective.Another notable characteristic of Long Diyong is his unique China’s stance.A series of his research findings indicate that narratology research must thoroughly stimulate the ancient and local Chinese narratology theories,thereby“constructing a narrative theory with Chinese characteristics on this foundation”.
作者
肖示玉
李梓菁
XIAO Shi-yu;LI Zi-jing(Jiangsu Regional Literature and Culture Research Center,Jiangsu Second Normal University,Nanjing 210013,China)
出处
《兰州文理学院学报（社会科学版）》
2024年第5期7-11,共5页
Journal of Lanzhou University of Arts and Science(Social Sciences Edition)
基金
国家社科基金重大项目“中国古代空间叙事体系研究”(23&ZD278)
江苏第二师范学院“高质量公共课教学改革研究”。
关键词
叙事学
空间
媒介
跨学科
中国立场
narratology
interspace
medium
interdisciplinary
China’s stance
