摘要
江户时代木刻版画迎来发展高峰,日本汉诗也进入发展的黄金时代,数量丰富的图像改变了江户文人接受中国古典诗歌的方式。王维作为诗画融通的典型代表,江户时期有很多与其相关的图像资料,这些图像资料在江户王维诗歌接受研究中具有一定的文献资料价值与艺术价值。对接受活动本身而言,图像具有拉近接受主客体之间的心理距离、激发创作主体的热情、产生“广告效应”、推动确立王维诗歌经典性等作用。王维诗歌“如画”的特点、南画的发展、江户市民喜爱图画的趣味等因素促成了图像成为江户文人接受王维诗歌的重要方式。在王维诗歌接受研究中引入图像,使得文学史与艺术史对话、交流,深化和丰富既往研究并开拓新的研究论题,也为我们研究图像与日本江户时代的中国古典诗歌接受打开一个窗口。
In the Edo period,woodblock prints reached a peak of development,and Japanese Chinese poetry also entered a golden age of development.The abundance of images changed the way Edo literati accepted classical Chinese poetry.As a typical representative of the integration of poetry and painting,Wang Wei had abundant visual materials during the Edo period,which had certain literary and artistic value in the study of Wang Wei's poetry reception in Edo.For the receiving activity itself,images have the functions of narrowing the psychological distance between the receiving subject and object,stimulating the enthusiasm of the creative subject,generating an"advertising effect",and promoting the establishment of the classic nature of Wang Wei's poetry.In the Edo period,images became an important way for Wang Wei to receive poetry,which was closely related to the"picturesque"characteristics of his poetry,the development of southern painting,the deeply rooted concept of"unity of poetry and painting",and the love of Edo citizens for paintings.Introducing images into Wang Wei's research allows for dialogue and exchange between literary history and art history,deepening and enriching previous studies and exploring new research topics.It also opens up a window for us to study the reception of images and classical Chinese poetry from the Edo period in Japan.
作者
熊瑶
XIONG Yao(Postdoctoral Research Station in Chinese Language and Literature,Fudan University,Shanghai 200433,China)
出处
《铜仁学院学报》
2024年第4期23-32,共10页
Journal of Tongren University
基金
国家社科基金重大项目“东亚汉诗史多卷本”(19ZDA295)。
关键词
江户时代
王维
图像
图像接受学
文学图像
Edo period
Wang Wei
image
image reception studies
literary images
