摘要
《文心雕龙》对创作主体与“物”主体、他者主体、内在主体以及语言主体之间主体间性关系的描述,变主客体关系为主体间性关系,将仅描述人与人的主体间性关系拓展至人与世界万物,这种将情感投射于对象使其主体化、人格化并与之交往的思想,正是《文心雕龙》创作论的独创性所在。创作主体与“物”主体邀游交流生成的“思理”、与他者主体研阅沟通产生的“穷照”、与内在主体资养交往达成的“虚静”状态,以及与语言主体精微对话形成的“焕然”的艺术境界,都阐明了主体间性思想的意义所在:主体在与另一主体沟通交往过程中,彼此都获得了超越单一封闭主体的新内涵,生成了主体与主体融会后的新意义。
The description of the intersubjective relationship between the creative subject and the subject of“thing”,the other subject,the inner subject and the linguistic subject in The Literary Mind and the Carving Dragon changes the subject-object relationship to the intersubjective relationship,and then expands the intersubjective relationship between humans to the relationship between humans and all things in the world.The originality of the creative theory of The Literary Mind and the Carving Dragon lies in the idea of subjectivizing,personifying and communicating with the object by projecting emotion on it.The thinking generated by the invitation and exchange between the creative subject and the subject of“thing”,the comprehensive understanding produced by reading and communicating with the other subject,the state of tranquility achieved by the interaction with the inner subject,and the artistic effect of up-to-datedness formed by the subtle dialogue with the linguistic subject all clarify the meaning of intersubjectivity:in the process of communication and interaction between subjects and another subject,each other has obtained a reshaping of their thoughts beyond a single subject,and a new meaning has been generated after different subjects are integrated.
作者
王洁群
潘文静
WANG Jiequn;PAN Wenjing(School of Literature and Journalism,Xiangtan University,Xiangtan 411105,China)
出处
《太原师范学院学报（社会科学版）》
2024年第3期53-59,共7页
Journal of Taiyuan Normal University:Social Science Edition
关键词
《文心雕龙》
主体间性
创作论
神与物游
虚静
The Literary Mind and the Carving Dragon
intersubjectivity
creation theory
interaction between of the mind and the subject of“thing”
the state of tranquility
