摘要
《宠儿》与《W,或童年回忆》的叙事结构展示了文学想象力如何将不可言说的创伤历史转化为创伤恢复的连贯性叙事形式。叙事的非线性反映了创伤的混乱本质,而想象力强调了将这些记忆嵌入个人历史的治疗潜力。两部小说中通过主人公想象力构建的人物形象跨越了过去与现在、生与死之间的鸿沟,帮助主人公将创伤从混乱记忆中剥离并融合于治愈性的现实中。在此过程中,莫里森的“林中空地”和佩雷克的“奇幻岛屿”突出了想象性场景,为面对和处理创伤提供了空间。
The narrative structures of Beloved and W,or the Memory of Childhood demonstrate how literary imagination transforms unspeakable traumatic histories into coherent narrative forms of trauma recovery.The non-linear narratives reflect the chaotic nature of trauma,while imagination emphasizes the therapeutic potential of embedding these memories into personal history.The characters in both novels constructed through the protagonists imagination bridge the gap between the past and the present,and between life and death,helping the protagonists detach the trauma from fragmented memories and integrate them into a healing reality.Throughout this process,Morrison's"clearing in the woods"and Perec's"fantastic island"highlight the imaginative settings that provide space for confronting and processing trauma.
作者
丁佩萱
张敏
DING Pei-xuan;ZHANG Min(Center for Interdisciplinary and Cultural Studing,University College London,London,WC1E 6BT;School of Foreign Lanuage,Northwest University,Xi'an Shaanxi 710127,China)
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2024年第8期95-99,共5页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
创伤叙事
宠儿
W
或童年回忆
想象治疗
traumatic narratives
Beloved
W,or the Memory of Childhood
imaginative therapy
