摘要
巴西籍犹太裔哲学家威廉·弗卢塞尔曾提出建构一种“设计哲学”的设想,它存在着日用品设计与纯粹“设计”两个阶段与面向。在日用品设计层面,弗卢塞尔使用现象学方法去还原日常生活用品,使其展露出其本来面貌。而在纯粹“设计”理念层面,他考察了从柏拉图到数字时代的设计概念,认为设计正在走向非物质性与“形式”本身,这预示着设计“极权主义社会”的到来。
The Brazilian-Jewish philosopher Vilém Flusser proposed the idea of constructing a"philosophy of design."This assumption encompasses two phases and orientations:the design of everyday objects and the concept of"pure design."For the first level,Flusser employs phenomenological methods to deconstruct daily life objects,revealing their true essence.On the level of pure"design,"he examines the evolution of design concepts from the time of Plato to the digital age,suggesting that design is moving towards immateriality and"form"itself.This,he argues,indicates the advent of a"totalitarian society"of design.
出处
《艺术设计研究》
CSSCI
北大核心
2024年第4期115-120,共6页
Art & Design Research
基金
重庆市社会科学规划博士项目“电影特效的观念演进与发展形态研究”(项目编号:2023BS123)的阶段性成果。
