摘要
新兴木刻在抗战时期全国大规模的宣传动员中扮演着重要角色,其具有的阶级性、斗争性和宣传性的特征,以及在革命中诞生,在战火中成长的独特发展历程,使其在宣传动员中发挥了思想政治教育思想引导功能、文化传播功能和政治动员功能,探索出政治性与艺术性相统一,民族性与开放性相统一的创作原则。包括新兴木刻在内的红色美术对当代美术的繁荣发展在内容上、形式上、技术上和人才上有着重要启示。
Emerging woodcut played an important role in the large-scale national propaganda mobilization during the war of resistance,and its characteristics of class,struggle and propaganda,as well as its unique development course of being born in the revolution and growing up in the war,enabled it to play the functions of ideological and political education and guidance,cultural dissemination and political mobilization in the propaganda mobilization and explored the unity of politic and artistry,and the unity of ethnicity and openness.It has explored the creative principles of unity between politics and artistry,and unity between ethnicity and openness.Red art,including emerging woodcut,is an important inspiration for the prosperity of contemporary art in terms of content,form,technology and talents.
作者
杨明佳
康霄旸
邵献平
YANG Ming-jia;KANG Xiao-yang;SHAO Xian-ping(School of Marxism,Wuhan University of Technology,Wuhan 430070,China)
出处
《湖北科技学院学报》
2024年第5期29-35,共7页
Journal of Hubei University of Science and Technology
基金
2019年度国家社科基金高校思政课研究专项“提升高校思政课课堂教学效果研究”(19VSZ073)。
关键词
抗战时期
新兴木刻
思想政治教育
功能
当代启示
Anti-Japanese war
Emerging woodcut
Ideological and political education
Function
Contemporary revelations
