摘要
张国云是北京辽宁籍画家,她长期致力于传统年画研究与创作,早在1984年辽宁美术出版社出版了她的年画作品《双喜迎春》,一画成名。自2009年来北京发展后,打开了广阔的艺术视野,多元取法,广泛借鉴,外师造化。为适应新时期美术创作发展趋势,经过近50年的不懈努力,她立足传统年画和民俗画创作圆点拓展,继而成功探索出一条以突出兼工带写的彩墨花鸟技法与传统年画等有机融合的创作新路;其中国画创作彰显了雅俗共赏、吉瑞祥和的审美意蕴。
After nearly 50 years of relentless effort,ZHANG Guoyun has expanded from the foundations of traditional New Year paintings and folk art to pioneer a new artistic path.She has sccssfully integrated the meticulous brushwork of color ink bird-and-flower paintings with uaditional teumiques.Her work predominantly rflects a contemporary interpretation of color ink lotuses,resonating with the aesthetic spirit of the times.Zhang's Chinese paintings exemplify an aesthetic that is both sophisticated and universally appealing,embodying an auspicious and harmonious charm.
出处
《社会与公益》
2024年第5期I0006-I0009,共4页
Society and Public Welfare
