摘要
陶瓷边饰成为陶瓷装饰中一种常见的表现形式,通俗来说指位于陶瓷边沿或者围绕主体画面的装饰用纹。早前出现在彩陶装饰中,到明代发展至成熟。边饰题材内容种类多样、形态变化灵活、意寓吉祥,极具视觉形式表现力和中国传统纹样的特殊文化魅力。本文从多角度分析了明代陶瓷器物中边饰纹样在形式、寓意以及文化等方面的融合演变。以各类别题材为形式始源,总结出边饰纹样所包含的文化内涵和人文寓意,以中国传统装饰文化发展衍变的艺术精神启迪现当代陶瓷装饰纹样设计能够更好的传承创新发展。
Ceramic border decoration has become a common form of expression in ceramic decoration,commonly referred to as the decorative pattern located on the edge of the ceramic or around the main picture.Earlier appeared in the colored pottery decoration,to the Ming Dynasty development to maturity.Edge decorative theme content variety,flexible form changes,meaning auspicious,very visual form of expression and the special cultural charm of Chinese traditional patterns.This paper analyzes the fusion and evolution of the border decoration patterns in the form,symbolism and culture of ceramic objects in the Ming Dynasty from various perspectives.With various types of themes as the form of origin,summarizes the cultural connotation and humanistic symbolism contained in the border pattern,with the development of traditional Chinese decorative culture and evolution of the spirit of art to enlighten the modern ceramic decorative pattern design can be better inherited and innovative development.
出处
《景德镇陶瓷》
2024年第3期90-92,共3页
Jingdezhen Ceramics
关键词
明代陶瓷
边饰
构成要素
审美艺术
The Ming Dynasty Ceramics
Edge Decoration
Composition Elements
Aesthetic Art
