摘要
吴昌硕在书法、绘画和篆刻等多个方面皆有所造诣的背后体现的是艺术创新成功的共性规律。以“诗书画印四绝”著称的吴昌硕一方面极力凸显了艺术风格创新中主体意识这个关键因素,提出了“出己意,贵有我”的艺术主张,并将这种艺术观念始终贯穿于实践之中。另一方面,吴昌硕在具体创作中将书法、绘画、篆刻等不同艺术领域的技法语言相互融汇,彼此滋养,从而塑造出独一无二的“吴氏”风格。
Behind Wu Changshuo’s achievements in calligraphy,painting and seal carving is the common law of successful ar-tistic innovation.On the one hand,Wu Changshuo,who is known for the“Four Masterpieces of Poetry,Calligraphy,Painting and Seal Carving”,vigorously highlights the key factor of subjective consciousness in the innovation of artistic style,and puts forward the artistic proposition of“coming out of one’s own will,you have me”.And this artistic concept of advocating“one’s own will”and“having me”has always run through his calligraphy,painting and seal carving practice,so that his artistic style has a strong per-sonal outlook.On the other hand,Wu Changshuo blended and nourished each other with the techniques and languages of different ar-tistic fields such as calligraphy,painting,and seal carving in his specific artistic creations,thus creating a unique“Wu’s”artistic style.
作者
胡松洋
HU Song-yang(School of Fine Art,Shanxi Datong University,Datong Shanxi,037009)
出处
《山西大同大学学报（社会科学版）》
2024年第4期152-156,共5页
Journal of Shanxi Datong University(Social Science Edition)
关键词
吴昌硕
石鼓文
书法
篆刻
绘画
Wu Changshuo
stone-drum-inscriptions
calligraphy
seal carving
painting
