摘要
在中国传统家具发展史上,作为集大成者的明式家具,地位可谓是重中之重,其蕴含着浓厚的艺术内涵,凝结着古代文人的智慧与美学修养。历经百年变迁,至今仍焕发着夺目的光芒。明式家具的设计与制作无不体现着当时人们对美与艺术的追求。文章将从明式家具的形态、材料、结构、装饰这四方面来展开阐述明式家具的美学特征,以及分析明式家具所体现的美学法则,以期为今后家具文化的研究与发展起到一定的促进作用。
In the history of the development of Chinese traditional furniture,as a master of Ming style furniture,the status can be said to be the most important,which contains a strong artistic connotation,condenses the wisdom of ancient literati and aesthetic accomplishment.After a hundred years of changes,it is still glowing with dazzling light.The design and production of Ming style furniture all reflect the pursuit of beauty and art.This article will elaborate the aesthetic characteristics of Ming style furniture from four aspects:form,material,structure and decoration,and analyze the aesthetic law embodied by Ming style furniture,in order to promote the research and development of furniture culture in the future.
作者
傅毅
苗佩芳
FU Yi;MIAO Peifang(School of Design and Art,Shenyang Jianzhu University,Shenyang 111000,China)
出处
《工业设计》
2024年第7期130-133,共4页
Industrial Design
关键词
明式家具
美学特征
美学法则
家具
Ming-style Furniture
Aesthetic Characteristics
Aesthetic Law
Furniture
