摘要
存在音准标准的西洋弦乐演奏者常常强调听觉的训练与培养,而忽略了音乐表达。文章从反思音乐表演教学入手,围绕“音乐视觉化”理论,提出西洋弦乐表演借鉴现代舞的基本训练方式,从身体、动作、呼吸和节奏等方面利用现代舞的“动觉”特点,引导学生有目的地寻找身体与乐器的关系,有意识地开发学生对音乐的内在觉知,从实践角度对“乐感”的培养进行探索。
Western string players with"intonation"standards often emphasize the training and cultivation of"hearing",but ignore the musical expression.Based on the reflection of music performance teaching and the theory of"music visualization",this paper proposes that western string performance draws on the basic training methods of modern dance,makes use of the"kinesthetic"characteristics of modern dance from the perspectives of the body,movement,breathing and rhythm,guides students to find the relationship between body and instrument purposefully,and consciously develops students'inner awareness of music.And explore the cultivation of"musical sense"from the perspective of practice.
出处
《乐府新声（沈阳音乐学院学报）》
2024年第2期145-151,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
现代舞
西洋弦乐演奏与教学
音乐视觉化
Modern dance
Western string music performance and teaching
Music visualization
