摘要
文学文本的细节印刻,是当前现代文学研究的一种主要方式,也是理解作品主旨大意、把握作家思想脉络、了解客观世界的一种新的介入方式。在精心营造的文学作品中,往往存在一些相似的人物、场景、事件,以及一些意象与感觉,为读者阅读提供了一种全新的期待视野。任何文学意义的存在与产生必须依赖共生的语境和文本,而文本也只有通过“元”文本才能获得对应的实际意义。鲁迅在《呐喊·自序》中对于文学精神的诠释、文学内容的解读、文学价值的营造与其之后创作的现代小说无形之中形成了一种文学性对照,而这种互文性探究为我们进入鲁迅作品打开一种全新的视角,为中国传统文学注入了新的元素。
Detail reproduction of literary texts is not only a main method of modern literature research,but also a way to understand the main idea of the work,grasp the writer's ideology,and understand the objective world.In fine literary works,there are often some similar characters,scenes,events,and images and feelings,which undoubtedly provide readers with a new vision for expectation.The existence and production of any literary meaning must depend on the symbiotic context and text,and the text can only obtain practical meaning by referring to the text,which is the"meta-text"we often mention.Lu Xun's interpretation of literary spirit,interpretation of literary content and creation of literary value in Preface to Call to Arms virtually forms a literary contrast with the modern novels he created later,and this intertextuality exploration undoubtedly opens a new perspective for us to interpret Lu Xun's works and injects new element to Chinese literature.
作者
李石
LI Shi(College of Literature,Heilongjiang University,Harbin 150006,China;School of International Education,Qiqihar University,Qiqihar161006,China)
出处
《安阳工学院学报》
2024年第5期114-118,共5页
Journal of Anyang Institute of Technology
关键词
互文性
文本性
《呐喊·自序》
鲁迅小说
细节复刻
intertextuality
textuality
Preface to Call to Arms
Lu Xun's novels
detail reproduction
