摘要
“诗意江南”是一个充满诗意和艺术魅力的地域文化符号,既体现了江南地区独特的自然风光和人文景观,又凝聚了中华民族深厚的文化底蕴和审美传统。因此,“诗意江南”作为一个重要的题材和灵感来源,吸引着众多作曲家进行探索和实践。本文将“吴越新韵”创作团队以此为主题创作的四首钢琴三重奏作品作为主要研究对象,通过对作品中音响塑造的手段进行研究,探索地域文化符号的呈现方式及其背后的文化内涵。
As regional cultural symbol which is full of poetry and artistic charm,Poetic Jiangnan[regions south of the Yangtze River]not only reflects the unique natural scenery and humanistic landscape of Jiangnan region,but also unites the profound cultural heritage and aesthetic tradition of China.Therefore,also as an important theme and source of inspiration,it has attracted many composers to explore and then invent with it.Taking the four piano trios on this theme which com-posed by the composition team Wuyue New Rhythm as the main objects,the article explores the pre-sentation of regional cultural symbols and their cultural connotations through the study of the means of sound shaping in the works.
出处
《北方音乐》
2024年第3期111-120,共10页
Journal of the Northern Music
基金
2022-2023年度浙江省文化旅游厅科研项目“‘诗意江南’在当代音乐创作中的音响塑造研究”(编号:2022KYY049)课题成果。
