摘要
18世纪的先锋性建筑师多用建筑图像为媒介表达自己革新的理论思潮,而法国建筑师部雷的幻想建筑设计不仅是建筑个性论的视觉实现,也标志着古典复兴对法国建筑理论发展支配的急速衰退的起始。文章梳理了部雷的职业生涯流变,探究部雷以存粹几何形体作为建筑外在形式的建筑图像。分析建筑图像作为可视化媒介所展示的,以建筑的外在形式反映建筑内在功能与性格的革命性建筑理论内核。并在此基础上探讨部雷的幻想建筑图像作品所映射的现代性建筑理论思潮,以及建筑图像对后续现代建筑理论兴起和发展的积极影响。
The avant-garde architects of the 18th century often used architectural images as a medum to express their innovative the oretical ideas,while French architect Boullée's fantasy architectural design was not only a visual realization of architectural individua lism,but also marked the beginning of the rapid decline in the dominance of classical revival over the development of French archit ectural theory.This article reviews the career changes of Boullée and explores his architectural images using geometric forms as the external form of architecture.The revolutionary architectural theory core that analyzes architectural images as a visual medium to re flect the internal functions and personalities of buildings through their external forms.And based on this,it explore the modern archite ctural theory reflected in Boullée's fantasy architectural image works,as well as the positive impact of architectural images on the su bsequent rise and development of modern architectural theory.
作者
王磊
徐震
张世连
Wang Lei;Xu Zhen;Zhang Shilian
出处
《中外建筑》
2024年第6期119-124,共6页
Chinese & Overseas Architecture
基金
国家自然科学基金项目(编号:51208161)
教育部人文社科规划项目(编号:20YJACH030)。
关键词
部雷
理性
建筑图像
新古典主义
Boullée
reason
architectural images
neoclassicism
