摘要
本文主要探讨的是新媒体艺术中的“去物质化”问题。首先追溯了观念艺术中“去物质化”这一理论来源及其内涵;接着从观念、技术和身体三个角度讨论了新媒体艺术“去物质化”的不同层次;进而,通过赛博格身体、虚拟性和具身性问题探讨新媒体艺术中的主体性问题;最后通过具体的案例分析,讨论了当代新媒体艺术中去物质化与去主体性存在的问题。
This paper primarily discusses the concept of“dematerialization”in new media art.It begins by tracing the theoretical origins and implications of“dematerialization”in conceptual art.Subsequently,it explores various dimensions of“dematerialization”in new media art,encompassing conceptual,technological,and corporeal aspects.Building upon this foundation,it delves into the examination of subjectivity within new media art,addressing issues such as the Cyborg’s body,virtuality,and embodiment.Finally,it addresses the challenges associated with dematerialization and desubjectification in contemporary new media art,drawing insights from specific case studies.
出处
《当代美术家》
2024年第2期84-100,共17页
Contemporary Artists
关键词
新媒体艺术
观念艺术
去物质化
主体性
技术
身体
new media art
conceptual art
dematerialization
subjectivity
technology
body
