摘要
贾平凹的《河山传》描写了进城农民罗山和洗河创业的传奇,展现了当代中国现代性的困境,以人物个体命运沉浮来映射社会的总体发展状况,可以看作是一部现代中国的民族寓言。罗山和洗河的创业传奇离不开一系列女性人物的参与,但这些女性人物形象是被男权社会生产出来的,缺乏主体意识,因而并非人格独立的现代女性。《河山传》精心描写了花房子这个秦岭深处的另类空间——一个真实存在的异托邦,这是小说男女人物的主要活动空间,它连接了传统与现代,突显了现代性的复杂性。
Jia Pingwa's The Legend of the Rivers and Mountains depicts the entrepreneurial saga of Luo Shan and Xi He,who are peasants in the city,and shows the dilemma of modernity in contemporary China,mapping the general development of the society with the individual fate of the characters,so it is regarded as a national allegory of modern China.Secondly,the entrepreneurial saga of Luo Shan and Xi He cannot be separated from the participation of a series of female characters,but these female characters are produced by the male-dominated society,and they lack the sense of subjectivity,so they are not modern women with independent personalities.Finally,The Legend of the Rivers and Mountains elaborately depicts the Flower House,an alternative space in the depths of the Qinling Mountains——a hétérotopies that really exists,which is the main activity space of the novel's male and female characters,and which connects tradition and modernity,highlighting the complexity of modernity.
作者
常波
CHANG Bo(College of Chinese Language and Literature,Northwest Normal University,Lanzhou 730070,Gansu)
出处
《商洛学院学报》
2024年第3期16-22,共7页
Journal of Shangluo University
基金
甘肃省哲学社会科学规划项目(2023YB126)。
关键词
贾平凹
《河山传》
现代性
女性
异托邦
Jia Pingwa
The Legend of the Rivers and Mountains
modernity
women
hétérotopies
