摘要
依据文化人类学的理论,网络小说的产生、发展、繁荣与我国独特的文化土壤和社会环境息息相关。由于互联网的快速发展,网络小说经过多次量变到质变,转换成了网络时代的“新民间文学”。人们或以作者或以读者的身份积极参与到网络小说的生产中来,充分展现了写作以及阅读的民间性、大众性。网络小说满足了不同受众的需求,其类型多样化的兴起缘于对我国文学传统和文化资源的传承和化用。
In line with the theory of cultural anthropology,the rise,maturation,and flourishing of web fiction in China are closely linked to the nation’s distinct cultural backdrop and social conditions.The swift development of the internet has seen web fiction undergo numerous quantitative shifts,ultimately resulting in a qualitative change into a“new form of folk literature.”People engage actively in the creation and consumption of web fiction,either as authors or readers,highlighting the folkloric and populist aspects of both writing and reading.Web fiction appeals to a wide range of readers,and the emergence of its diverse sub-genres can be attributed to the preservation and innovative utilization of China’s literary traditions and cultural assets.
作者
杨兴春
YANG Xing-chun(Guangxi Minzu University,Nanning 530000,China)
出处
《扬州教育学院学报》
2024年第2期56-60,共5页
Journal of Yangzhou College of Education
基金
国家社科基金项目(20XZW004)。
关键词
文化人类学
网络小说
兴起
新民间文学
cultural anthropology
web fiction
emergence
new form of folk literature
