摘要
“尚意”作为苏轼凝聚的独特书风,蕴藏着“道”与“艺”两个维度。“艺”是苏轼书法尚意精神的实现路径与外在显现,是他将所闻、所见、所思、所感寓于点画之间的匠心独运,将古法烂熟于心后的独创一格;“道”作为苏轼尚意书法的核心与精髓,不仅体现儒家兼济天下的抱负,也包含老庄的自然文艺观和佛家的空静思想。从“道”与“艺”两个维度探析苏轼的尚意书法,可以从其书法中感悟其对生死及天地的认知,结合其生命体验品味其书法艺术风格的形成与变化,从而进一步领略滋养其书法艺术的中国传统的意趣、审美和气韵。
“Shang Yi”,a unique style of calligraphy developed by Su Shi,embodies two dimensions—“Dao”and“Art”.“Art”is the accessing way and external manifestation on“Shang Yi”calligraphy of Su Shi,and his ingenuity in integrating what he heard,saw,thought,and felt into his calligraphy,and his unique style of mastering ancient methods in his creation.As the core and essence of Su Shi’s“Shang Yi”calligraphy,“Dao”embodies the ambition of Confucianism to makes the whole world virtuous,and includes Lao Zhuang’s natural literary and artistic views,and the Buddhist concept of emptiness and peace.Exploring Su Shi’s calligraphy from the perspectives of“Dao”and“Art”can help us understand his views of life and death as well as universe in his calligraphy.By combining his life experience,we can appreciate the formation and changes of his calligraphy art style,and further appreciate the traditional Chinese spirit,theme and aesthetics that nourishes his calligraphy art.
作者
王银辉
张岚媗
WANG Yinhui;ZHANG Lanxuan(Research Center of Literary Theory,Henan University,Kaifeng,Henan 475001,China)
出处
《中州大学学报》
2024年第3期1-6,共6页
Journal of Zhongzhou University
基金
河南大学机构育人项目“苏轼书法‘尚意’中的‘道’‘艺’”(2022-WYX-02)。
关键词
苏轼
尚意书法
“道”
“艺”
Su Shi
“Shang Yi”calligraphy
“Dao”
“Art”
